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DIAN WANG

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Can you tell us about your latest film project and the process you went through in bringing it to life?

My latest project, The Path of Stones, was inspired by the traditional stone quarrying culture in Jinyun County, Zhejiang. I wanted to explore the connection between these age-old practices and contemporary storytelling through innovative use of artificial intelligence and projection mapping. The process was complex, as I had to restore old footage and then project it onto irregular surfaces, which involved a mix of both traditional and modern techniques.

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What inspired you to become a filmmaker and pursue a career in the film industry?

I’ve always been fascinated by the power of visual storytelling. Coming from a background in both art and data science, I wanted to explore how technology can enhance the narrative experience. Filmmaking allows me to blend these interests and express deeper cultural stories.

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What challenges did you encounter during the filmmaking process and how did you overcome them?

One of the main challenges was working with archival footage, which was in poor condition. Using AI, I was able to restore the visuals to 4K quality, but it was time-consuming and required an innovative approach. The technical challenges were intense, but the final result was rewarding.

 

What was the most memorable moment for you during the production of your film?

The most memorable moment was when we projected the restored footage onto the quarry's stone surfaces. Seeing the old footage come to life in such a grand scale, with the surrounding environment enhancing the visuals, was an unforgettable experience.

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Can you share any interesting anecdotes or behind-the-scenes stories from the making of your film?

During one of the projections, a local resident came by and watched the film with us. It was fascinating to hear their perspective, as they had a personal connection to the quarry. They shared stories about their family’s history with the stones, which added a deeply personal layer to the project.

 

How do you approach storytelling in your films? What themes or messages do you try to convey?

I focus on the intersection of tradition and modernity. In my films, I aim to explore how old customs, traditions, and narratives intersect with contemporary issues. I believe this dialogue is essential in understanding both the past and the future.

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What is your preferred genre of filmmaking and why? Are there any specific directors or filmmakers who have influenced your work?

My work is often experimental in nature, blending various forms of media. I admire filmmakers who push boundaries, like Alejandro González Iñárritu and David Lynch. Their ability to blend complex emotions and visuals resonates with me.

 

What qualities do you look for in collaborators?

I look for individuals who are open to experimenting and who are not afraid to challenge the status quo. Collaboration is essential, and I value people who bring fresh perspectives and can add to the creative process.

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How important do you think film festivals are for independent filmmakers, and what has been your experience with film festivals so far?

Film festivals provide invaluable exposure and a platform to showcase one’s work. For independent filmmakers, they are essential for building connections and getting feedback from an audience that appreciates innovation. I’ve had the honor of participating in several prestigious festivals, and they’ve significantly helped me grow as an artist.

 

Can you tell us about any awards or recognition your films have received and how they have impacted your career?

My film The Path of Stones received an Honorable Mention at the International Independent Film Awards and won Best Documentary Music Video at the Parai Musical International Awards. These recognitions have opened up new opportunities and have helped establish my reputation in the art world.

 

How do you handle feedback and criticism of your films? How do you use it to improve your craft?

Feedback is crucial in my process. I’m always open to criticism because it allows me to see my work from different perspectives. I use it as an opportunity to improve and refine my craft, as I believe the journey of learning never ends.

 

What do you enjoy most about the process of filmmaking? Is there anything you find particularly challenging?

I enjoy the creative freedom that filmmaking offers. It’s a way to combine different mediums and tell stories in innovative ways. The most challenging part for me is ensuring that the technical aspects—like projection mapping and sound design—serve the story rather than overshadow it.

 

How do you approach the distribution of your films? What strategies do you employ to reach a wider audience?

Distribution is always a challenge for independent filmmakers. I often use online platforms and social media to connect directly with audiences. I also submit my films to festivals and seek partnerships with galleries and institutions that align with my vision.

 

What advice do you have for aspiring filmmakers who are just starting their journey in the film industry?

Be patient and persistent. Filmmaking is a long process, and you will face many obstacles along the way. Keep experimenting and learning. Don’t be afraid to take risks, as this is where innovation happens.

 

Finally, can you share with us your future plans and upcoming projects as a filmmaker?

I’m currently working on a new project that explores the relationship between urban spaces and the natural environment. It will involve a lot of interactive elements, including real-time data visualization. I’m excited to push the boundaries even further with this project.

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